It has never been Ina Müller’s style to conform to the conventional narrative. Her genuine approach to relationships, celebrity, and personal autonomy feels incredibly powerful. At sixty, she is a lady who has shaped her life according to her own rules; she is candid but private, witty yet profoundly introspective.
The German media was briefly enthralled by recent rumors of her apparent romance with actor Clemens Schick. There was a lot of conjecture when the two were spotted eating together, walking around Hamburg, and having private chats. Both made the deliberate decision to remain silent rather than seek confirmation. Known for his roles in Star Wars: Andor and Casino Royale, Schick has previously discussed his sexual orientation in public, saying, “Being with men doesn’t mean I can’t fall in love with women.” His remarks, which were remarkably nuanced in their resemblance to Müller’s perspectives on love, gave the narrative an air of intrigue.
Ina Müller – Profile
| Attribute | Detail |
|---|---|
| Full Name | Ina Müller |
| Profession | Singer, Songwriter, Television Host, Comedian |
| Date of Birth | July 25, 1965 |
| Birthplace | Köhlen, Lower Saxony, Germany |
| Nationality | German |
| Height | 170 cm |
| Relationship Status | Single (as of 2025) |
| Ex-Partner | Johannes Oerding (2011–2023) |
| Rumored Partner | Clemens Schick (unconfirmed) |
| Known For | Inas Nacht, Loud and Quiet: A Portrait |
| Awards | German Television Award, Echo Music Award |
| Official Website | ina-mueller.de |
Supporters who were aware of Müller’s free-spirited nature were not surprised by their reported relationship. She has long supported unconventional partnerships that prioritize emotional chemistry above social acceptance. Living together “has never been her thing,” she previously acknowledged in her open manner, referring to separate apartments as the secret to serenity. She is especially well-liked by audiences who value her capacity to transform introspection into public discourse because of her candor and sense of humor.
Her most well-known partnership was one of mutual respect and balance with singer Johannes Oerding. Their relationship was based on mutual respect and artistic synchronization, even though they were 17 years apart in age. They took care of their own houses for more than ten years, a choice Müller defended with a newfound assurance. She famously remarked, “Everyone assumes that love means living under one roof, but sometimes love breathes better with space.”
The couple split up in 2023, and it was unexpectedly amicable. She was still praised by Oerding, who called her “a quiet thinker behind the loud performer.” He looked back on their years together with serene tenderness in the new ARD documentary Ina Müller – Loud and Quiet: A Portrait, pointing out that Müller’s strength is her duality, which allows her to be both vivacious on stage and reflective in private.
In celebration of her 60th birthday, the documentary offers a very clear picture of Müller as a performer and a person. It follows Susanne Gliffe’s journey from a drugstore employee in Sylt to a pivotal role in German music and television. Like Müller herself, there are humorous, vulnerable, and enlightening moments throughout the story.
She talks about her deliberate decision to forgo having children in the movie. “Others were starting families at thirty,” she remembers. “My career was just getting started. I had to make a decision, which most likely meant forgoing children for the time being. She is disarmingly honest. She just owns her life decisions; she doesn’t embellish them. She stands out in a field that frequently thrives on pretense because of her trademark directness.
Müller’s ability to turn intensely personal experiences into universal thoughts is what makes her so captivating. She freely discusses the social awkwardness that results from being unmarried after a certain age. According to her, “people look at you like something’s missing.” “However, there are times when being by yourself simply means being whole.” In a society that still defines women by their companionship, her comments strike an especially poignant chord.
Though not romantically, her connection with television host Pierre M. Krause also attracted notice. There was no denying their great chemistry during Kurzstrecke mit Pierre M. Krause. During a port tour, when Müller’s humor and Krause’s charm were on full display, they laughed, told stories, and even ate grasshoppers together. “Just because we have fun doesn’t mean we’re a couple,” Müller later teased the audience. It was a very obvious expression of her opinion that romance isn’t always the same as emotional connection.
Müller is remarkably quiet about her present dating status, despite the circulating speculations. She makes vague references to companionship in interviews, but she never provides proof. She famously said to a laughing audience, “Just assume that not everyone single is a sad single.” It was a bold and hopeful remark, the kind that feels especially good for women who don’t feel the need to apologize for their independence.
Her 60th birthday was celebrated with national acclaim. She was recognized by NDR and ARD with special broadcasts, including as her documentary and an episode of their retrospective discussion program called NDR discussion Moments with Ina Müller. Actress Iris Berben, music legend Campino, and designer Guido Maria Kretschmer were among the longtime friends who attended the ceremony and shared their experiences of Müller’s courage and humor. Their memories depicted a woman who was adored and respected in her line of work.
Müller’s remarkably human duality may be what makes her life story so captivating. The same person who can command a stage with thunderous laughs and yet confess to being excruciatingly bashful at times. Johannes Oerding, her former partner, stated it best when he said, “She’s quiet — almost contemplative — when the lights are off.”
Müller’s honesty continues to be her defining characteristic despite all the conjecture surrounding her relationships, from Oerding to Schick. She embraces the intricacy of love rather than acting as though she understands it. Her life exhibits a remarkable acceptance of imperfection, especially at this point. She welcomes connection without reliance and seclusion without resentment.
Müller’s reluctance to overshare feels especially novel in the entertainment industry of today, where people’s private lives are frequently edited for attention. Few people are able to maintain mystery while remaining sympathetic, as she has done. Her candor regarding aging, love, and identity has significantly changed how viewers view older women—not as waning celebrities, but as complex, multifaceted people.
Her discussions frequently stray into open-minded observations about relationships, age, and human peculiarities as she continues to present Inas Nacht. She is most genuine when she is laughing at herself, allowing people to be vulnerable, and transforming ordinary life into poetry.
